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Over the hill and through the deserted Pelindaba parking lot.

Nature creeping into the cracks in the tarmac left by retreating Nuclear geeks. In his book “Of warriors, lovers and prophets,” Max du Preez tells us that the name Pelindaba means the debate (or problem) is finished. An atom bomb would be a good way of closing an argument, it’s true. But for now the argument is kind of shut down while we work on new Nationalisms and new debates. Across the Hartebeespoort Dam wall there are a whole lot of interesting businesses on the go. Next to the curio, fruit and sunglass vendors, large African animals proliferate.

try sawing off this horn

Kind of better than a stuffed rhino, I guess. Nevertheless there is something a bit post nuclear meltdown about these beasties. I put them into a modified version of Pierneef’s Hartebeespoort Dam painting and called it “Pelindabadiere.”

"pelindabdiere" Gouache. 20 x25 cm

J H Pierneef’s Station Panels are cornerstones of South African landscape painting. They were placed in the old Johannesburg Station as adverts to travel the country.

But did these alluring places ever really exist? And how have they changed?

Taking up the invitation to travel 80 years later, Carl Becker set off to find out.

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