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Yes, my friends. The show at Stellenbosch opened two weeks ago. We had a good turnout and some sales. Sean o’ Toole gave us a charming opening. He read from his short story about an artist searching for Pierneef sites. The ghost of Pierneef appears to scoff at the idea, to scoff at his own paintings even. I enjoyed that. Several times, alone, quasi lost and staying in dubious lodgings, I too have felt the sniggering of Oom Henk over my shoulder.

the marathon, day 2

Hanging this show was gruelling, with a lot of archaic twiddling of fishing line and a good deal of hammering. It took Monique and I, ably assisted by one Anton Chapman, a full four days to get it looking right. After the flutter of the opening I went through to Stellies several more times and then tuned out. With my frozen shoulder hurting like hell, and clutching a copy of James Whyle’s The Book of War, we headed to the nether reaches of the Overberg.

On the pont at Malgas

Two days under the big sky at De Hoop was good medicine, but I still needed to get further away. We went across the pont at Malgas and on dirt through stony farmland to Witsand. There were jackal buzzards and blue cranes. The farmhouses were neat and well kept. Aside from a crazed Telkom van narrowly missing us at high speed, there was no one about. We could have been in the 1970s. We went on past Vermaaklikheid to the remote outpost of Puntjie, which has cottages dating from the 1890s. The fynbos was broken by tall aloes as we ascended the last hill and got to a firmly locked farm gate. Clever bastards, keeping Nirvana to themselves. Cathy and I took a picnic lunch of bread, cheese and cold wors and then turned back home…

the mythical kingdom of Puntjie

What emerged out of that was the recolouration I’d been hoping for (you don’t quite know what it is, but you recognise it when you see it.) I also lost some lekker paintings within paintings

 

lost Picasso sculpture

 

Then there was the small matter of The Sea, the dreaded sea. After numerous false starts I remembered Anton Chapman‘s advice about putting down a base of deep red. He has painted a lot of sea and knows his stuff. A layer of Venetian Red and some editing decisions later:

 

Red Sea

 

And after quite a bit more tweaking:

 

Cape Town Personae

 

The beast is laid to rest at last.

J H Pierneef’s Station Panels are cornerstones of South African landscape painting. They were placed in the old Johannesburg Station as adverts to travel the country.

But did these alluring places ever really exist? And how have they changed?

Taking up the invitation to travel 80 years later, Carl Becker set off to find out.

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